Beatles for Sale On
Parlophone Records
- Latest Beatles book from Bruce Spizer
Review by Tom Frangione for Joe Johnson’s BeatleBrunch
I’ll never forget my initial reaction to learning about Bruce Spizer’s book The Beatles Records on Vee-Jay: “Big deal”.
I mean, how much could be written about a label that cut and pasted barely a dozen songs into nearly as many compilations and configurations. Had the well really run dry on Beatles topics to explore?
Then I received the book as a gift. And found it really WAS a big deal ! Suffice it to say, the author’s research efforts set a new standard for Beatles scholars. Not only was the book chock full of new information and never before published images, but it was handsomely presented and a thoroughly enjoyable read. Spizer’s other books about the Beatles records on Capitol & Apple, as well as other related volumes maintained and at times exceeded that standard.
Fast forward to Spizer’s eighth and latest book Beatles For Sale On Parlophone Records. While previous books had a decidedly American take on the Beatles catalog (one that has made for great banter vs. the “purists” defending the UK catalog), this volume examines the home-field advantage British releases.
At a whopping 444 pages, no stone is left unturned. Singles, albums, and the decidedly UK favored “EP” (extended play) records are examined, as are certain export singles and issues of the pre-EMI Hamburg session material. As with the “US” themed books, rare titles such as the original unreleased Get Back album and the Christmas fan club album (here, titled From Then To You) are covered as well.
Before singing any further praises of the book content, in the interest of full disclosure it must be stated that I was among the proof-readers helping Bruce on this latest work, as was frequent Brunch contributor (and Beatlefan Magazine Executive Editor) Al Sussman. That little disclaimer out of the way – in the spirit of Bruce’s “other” life as a tax lawyer – let’s continue.
As with previous outings, a well-placed foreword has been secured, this time from NEMS and Apple associate Tony Bramwell. Beatles press agent Tony Barrow gets in on the fun, too, with an endorsement (shall we say) quite reminiscent of his liner notes found on the rear sleeve of 1963’s The Beatles Hits EP.
That the volume is profusely illustrated with label & sleeve images will come as no surprise to readers of Spizer’s previous books; this time around, artist Eric Cash has been enlisted to flesh out the work with some brilliant and unique images.
Once again, Spizer has managed to balance the minutia necessitated by collectors, insights treasured by fans, and aesthetics demanded by more casual readers. While not intended to be a cover to cover excursion, the book is nicely segmented among formats (singles, albums, EP’s, etc) and by individual release within the respective sessions. Even die-hards and “well-read” Beatle fans will find something new to revel in here – for me, it was the examinations of the off-the-beaten-path material such as the Christmas Album and even the Collection of Beatles Oldies compilation from the mid-sixties.
Set for publication on October 5, 2011 (the 49th anniversary of the Beatles first EMI single “Love Me Do” c/w “P.S. I Love You”, advance copies will be available at the Chicago Fest For Beatles Fans in August.
List price of the book is $70 (only a bit steeper than previous editions, but quite reasonable given the over-sized content). Bearing the Beatles For Sale sleeve on the cover, it is available in both “mono” and “stereo” editions. Yes, you read that right, and NO it does NOT mean one covers the stereo versions and one covers the mono versions of the records. It’s just a slightly alternate cover. The content of the books is identical. Me, I’m a mono guy.
As with previous volumes, certain “extras” are available, catering to the collector. A sturdy slip case is available for an extra $20 (highly recommended, given the size and weight of the book), which handsomely presents the “Paperback Writer” label on the front and red “Please Please Me” single on the rear. Beyond that, a deluxe edition is available for $150, which includes the slipcase, as well as a 2-page fold out poster of the Parlophone LP and EP sleeves, a custom bookmark, an 8 ½ x 11” portrait by Eric Cash depicting a scene from the “Hey Jude” promotional clip, and a two-sided “Penny Lane” / “Strawberry Fields Forever” advert, as depicted in the book.
Spizer’s books have become highly treasured volumes by Beatles fans worldwide, and this volume will no doubt be prized as well. As the books are produced in fixed quantities, once they’re gone, they’re gone. Sold out editions (like the Vee-Jay book) command several hundred dollars – when you can find them – on Ebay and collectors sites. As this volume is more comprehensive, covering the entirety of the Beatles active recording career (1962-1970) it makes for a “must have” on your Beatles bookshelf.
Although the book will not be officially published until October 5, 2011, pre-publication orders can be placed on Bruce’s website, www.beatle.net. Pre-publication orders received before July 15 will be shipped in early August. The slipcase and collector’s editions will be available in America exclusively through Bruce’s website. All books ordered through his website will be signed by Bruce.
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